翻訳と辞書
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・ After the Balls Drop
・ After the Banquet
・ After the Banquet (film)
・ After the Bath, Woman drying herself
・ After the Battle
・ After the Battle (film)
・ After the Beginning Again
・ After the Bomb
・ After the Bomb (game)
・ After the Break
・ After the Burial
・ After the Cape
・ After the Ceiling Cracked
・ After the Chase
・ After the Dance
After the Dance (play)
・ After the Dance (song)
・ After the Dark
・ After the Darkness
・ After the Deadlines
・ After the Deluge
・ After the Devastation
・ After the Development of Agriculture
・ After the Disco
・ After the Disco (song)
・ After the divorce
・ After the Drama
・ After the Dream
・ After the Dust Settles
・ After the Earthquake


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After the Dance (play) : ウィキペディア英語版
After the Dance (play)

''After the Dance'' is a play by Terence Rattigan which premièred at the St James's Theatre, London, on 21 June 1939. It was not one of Rattigan's more successful plays, closing after only sixty performances, a failure that led to its exclusion from his first volume of ''Collected Plays''. Critics have tended to attribute this relative contemporary failure to the play's darkness which may have reminded audiences of the approaching European war.
However, the 2010 revival of the play was a commercial and critical success with ''The Guardian'' theatre critic Michael Billington stating that Thea Sharrock's production starring Benedict Cumberbatch confirmed that Rattigan is one of the "supreme dramatists of the 20th century".
==Summary==
David and Joan Scott-Fowler were 'bright young things' of the 1920s, whose ambition is to treat everything as trivia and to live lives of pure sensation. They always maintained that they married for amusement and not for love. However, Helen Banner, a serious young woman, has fallen in love with David and is determined to change his lifestyle, free him from Joan, stop him from drinking and re-awaken the serious historian in him. Unfortunately, Joan does indeed love David very deeply and is trapped by her posture of carelessness. At a party they are holding, Joan is bruised by the clash between private agony and public joy and she kills herself. The characters are shattered by the revelation and even though David and Helen plan to get away from this life, the play ends with a clear sign that David will continue as he did.

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